Travel around the world with Countless Cities

The Museum and Biennial of the Cities of the world.

What's on

New opening Countless Cities 2025

  • Mazzarino - Friday, June 20, 2025 7PM

    "The Gaza Genocide" is an exhibition documenting the ongoing genocide in Gaza through photos, documentaries, and testimonies, curated by RING.

  • Riesi - Saturday, June 21, 2025 at 12 PM

    In collaboration with Muffuletteria, "Hygge Garden": a pavilion that blends nature, design, and well-being, bringing the tranquility of Copenhagen.

  • Gela - Saturday, June 21, 2025 at 7 PM

    In Gela, with Civico 111, from 7 PM the Vilnius Pavilion “The Memory of Nature” opens, curated by Chilean artist Joaquín Mora.

  • Favara - Friday, June 27, 2025 at 7PM

    Three new pavilions—South Korea, Sudan, and Congo—explore tradition, conflict, and resilience in a world shaped by crisis and change.

  • Agrigento - Sat June 28, 2025 at 2PM

    In Agrigento’s Ex-Carcere di San Vito with pavilions on Nazareth, Medellín, and Haiti—stories of identity, resilience, and crisis.

  • Aragona Sunday, June 29, 2025 at 12 PM

    Sunday, June 29 at 12 PM in Aragona: opening of School of Life, an urban regeneration project by Andrea Mineo with four international artists.

  • Alcamo - Friday, July 4, 2025

    On Friday, July 4 in Alcamo opening: Bordeaux Pavilion and Olivier Garraud’s L’Office du Dessin

  • Palermo - Sat July 5, 2025 at 7PM

    Opening with two major exhibitions, the Museum of World Cities.

“I will never leave my home ALIVE” - Nazareth Pavilion

Ex Carcere San Vito- Agrigento

Through a multi-modal artistic presentation of photographs, sound installation, digital sonic map and art installation, the pavilion will display the interaction between threads ; concrete and zinco, to embody the violent spatial and architectural transformations of Al souk genuine urban fabric, aimed to conceal Palestinians and disconnect them from their organic growth, causing their disappearance and removal. Within the gaps of uncertainty where people live surrounded with ruins; abandonment; layers of random cheap structures and alien materials concealing heritage houses and winding alleys ; misused micro- public spaces for waste ; and the absence of safety through the spread of crime ; all are a combination of a dissonance urbanscape and urban environment, pushing people away, not only out of Nazareth, but even out of palestine. Despite all these methods  Can Palestinians reappropriate hidden spaces as a mean to reclaim? Reclaim what was stolen, their dreams, passions, imagination and hope!! The overall concept is to discover  spaces that evoke a sense of absence and loss.  Addressing existing architectural heritage not only for its physical presence but rather what is forgotten, stolen and missing from it, where the absence of those who participated in shaping these spaces and its identity, become a powerful architectural tool for palestinian presence reclamation.

Climate, Chaos and Conflict: Political Instability in the Sahel Pavilion

Sette Cortili- Favara

In the heart of the Sahel, Sudan is experiencing the dramatic consequences of both climate and political instability. Climate change exacerbates resource scarcity, fueling ethnic tensions and armed conflict. This pavilion explores the connection between the environment and war, and the resulting humanitarian challenges. A journey through resistance, forced migration, and the struggle for survival. The Pavilion originates from the research work of Frances Carlson and Beatrice Baldi, and is coordinated by Carla Bartoli of RING.

“The Gaza Genocide -Una delle più gravi catastrofi umanitarie e morali del nostro tempo” 

Palazzo Tortorici- Mazzarino

An exhibition of denunciation and remembrance that, through photographs, documentaries, testimonies, and geopolitical analysis, documents the horrific reality of the Gaza Strip, where an ongoing genocide is causing thousands of deaths and displacements. This is the first of the Pavilions curated by RING Beyond Borders, an international organization of young political science researchers dedicated to promoting cultural integration, disseminating information, and developing inclusive policies, with a particular focus on migration and global conflicts.

We believe necessary for artists and exhibitions to become nomads and to cross frontiers both physically and mentally. Overcoming national borders, allow languages and cultures to spread in all directions, to widen the horizon of translation skills.

During its three editions, the Biennale has touched on protest movements in the London suburbs about gentrification-related problems, but also those of students in Hong Kong, and farmers of New Delhi. We have talked about complex places like the “Garbage City” of Cairo, the “Villas Miseria” favelas in Buenos Aires, or “Guapira II” in São Paulo, and we have proposed redeeming places such as “Fuerte Cultural Park” in Caracas or “Burj El Murr” in Beirut. We have been nourished by the cultural activism of Lyra Aoko and Michael Soi in Nairobi, Nana Zaalishvili in Tbilisi, Ali Matay in Izmir, Erika Linenfelser in Detroit, and Corben Mudjandi in Jabiru, together with numerous other artists, curators, and creatives from all over the world.

“Countless Cities” has also become a great event that brings hundreds of artists, architects, and curators to Sicily every two years, as well as a few hundred thousand visitors. This splendid opportunity promotes intercultural understanding and dialogue between different urban communities, breaking down barriers and prejudices, promotes greater interaction and connection between people from different backgrounds, and strengthens networks and collaborations between municipalities, diplomatic missions, cultural institutions, artists, organizations and research institutes on a global level. These partnerships often last over time and lead to further shared projects and initiatives. Moreover, the Biennale has become a great attraction for tourists and visitors interested in culture and the future of cities, generating important economic benefits for Favara and, today, also Mazzarino, contributing to an increase in their prestige and international visibility.

Past editions

  • 2023

    Is there an ideal city? This profound question likely inspired architect Paolo Soleri to design and build Arcosanti, a visionary urban experiment in the Arizona desert. Similarly, it drove Pastor Tullio Vinay of the Waldensian Community to establish Monte degli Ulivi in Riesi, a center for social and cultural renewal in Sicily. Both projects embody the search for a harmonious balance between human habitation and the environment, offering alternative models of community that challenge conventional urban planning

  • 2021

    Shifting the axis of research from the state dimension to that of cities means opting for a more human approach. It means embracing an idea of design that provides concrete solutions to improve the living conditions of people within urban spaces, across all latitudes, by fostering inclusivity and sustainability. This approach sows dreams, hopes, and the desire to act, encouraging communities to reimagine their environments. By focusing on cities, we address challenges at a scale that directly impacts people's daily lives, promoting a future where urban spaces are not just functional, but also vibrant and equitable

  • 2019

    We portrayed the Africa that was not commonly depicted—the Africa of the new generations, of new forms of leadership and governance, of sustainable development. It was more necessary than ever to propose alternative models to Matteo Salvini's policies; we were absolutely against the politics of fear and firm advocates of the importance of building and maintaining international political, diplomatic, and cultural relations. Furthermore, quite frankly, we had had enough of the stereotypical narrative of Africa as a place of war, famine, and calamity."

Winner

Human Design City Award

 
Yazd - Iran courtesy Giulio Di Meo

“Countless Cities” has been and continues to be a great challenge for Farm Cultural Park. We are confronted with a complex and ambitious project that is, at the same time, cohesive with our mission: to improve not only ourselves but the cities we live in. We felt the need for a broader view, to have a large cultural container that, every two years, would allow us to understand what makes a city unique, how it works, and why we feel fascinated by some cities more than others.